Davide Tidoni

Wednesday 27 November 2019, 12-2pm, CM105

Artist and researcher Davide Tidoni will explore the themes and principles underlying his work. Starting from his research on sound impulses and acoustic space, the first part of the presentation will explore the physical aspects of sound and the active role of the listener. The second part of the
presentation will concentrate on the materiality of sound devices (eg:
microphone and loudspeaker) and their use in recordings and
performances. The third part will examine Davide’s recent projects on football chants and the sonic culture of the ultras movement in Italy. Audio visual documentation and artist’s publications will accompany the presentation and give substance to the spoken words.

Davide Tidoni is an artist and researcher interested in the relational
dimension of listening and in the physical experience of sound. With a
particular emphasis on observation and action, he creates works of
different formats including live performance, intervention, audio
recording, video, and guided listening. He recently published a sound
ethnography on the ultras group BRESCIA 1911 (The Sound of
Normalisation, SARU Oxford Brookes University). His work can be accessed
at: www.davidetidoni.name.

You might be interested in …

Maya Verlaak: ‘Verwondering’: An urge for attentiveness, mystery, imagination, surprise, astonishment, discovery and research (Open Scores Lab 22). Wednesday 6 March, 12-2pm and 2-4pm workshop, CM107

Uncategorized

Capsizing a boat would break the boat’s functions but would also reveal how it travels forwards: moving to challenge the complacency of those with an incurious view of the boat’s functions. As composer I try to become an outsider to reflect better upon the mechanics of the field in which I operate, attempting to create […]

Read More

Leo Chadburn – Found Text, Speaking Voices, Self Portraits

Uncategorized

Leo Chadburn talks about his work from the last decade: music that is concerned with the musicality and theatricality of the speaking voice, found text, lists and stream-of-consciousness writing. He has drawn upon models borrowed from visual art, such as the installation work of Susan Hiller and the films of John Smith and Peter Greenaway, […]

Read More

Amnon Wolman: Experimenting with the composition process

Uncategorized

Wednesday 19 February, 12-2pm, CM107 In recent years, experimental music has defined itself as an aesthetic and a “sound” identified by specific pieces and composers. In this talk I will try to shift the discussion back to experimentation as a central part of the composition process regardless of an aesthetic or sound. In my own […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *