Aaron Cassidy: A way of making ghosts

Wednesday 11 November, 12-2pm [online via Minerva]

Aaron Cassidy will discuss two recent quartets based on the work of the painter Gerhard Richter—Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991) (2018–19) and Self-Portrait, 1996 (2020)—that together form the collection A way of making ghosts. Since he has given some recent online lectures about the relationship between the pieces and the paintings, and to the issues raised by self-portraits in general, this talk will instead focus on some of the more practical, technical aspects of the pieces. He will look in detail at the approach to instruments, including several newly developed performance techniques and instrument preparations, and at the organisation of material through structural mechanisms that prioritise behavioural models and modes of interaction.

You might be interested in …

Hardi Kurda – Listening to found scores

Uncategorized

Wednesday 17 February 2021, 12-2pm, online via Minerva. Exploring the ready-made scores through speculative listening to create sound compositions that demands other listening spaces. A Kurdish composer, improviser and sound artist, Hardi Kurda began his music education at the Institute of Fine Art, Slemani (violin). He obtained his BA (2009) and MA (2012) degrees in […]

Read More

Catherine Lamb – The in-between

Uncategorized

Wednesday 14 April, 12-2pm [online via Minerva] Catherine Lamb talks about the in-between, notions of impurities, perspectivism, Sruti as harmonic thinking, spirals, and multi-dimensional realities. We will also listen to some music. Catherine Lamb is an active composer exploring the interaction of tone, summations of shapes and shadows, phenomenological expansions, the architecture of the liminal (states […]

Read More

Daniel Kidane – Together in Difference: Transnational Identity in New Music

Uncategorized

Wednesday 21 October, 12-2pm [online via Minerva] Following his recent articles for The Guardian and BMC, composer Daniel Kidane discusses his recent compositional practice in relation to his mixed heritage and identity, exploring these themes in relation to his recent pieces Woke (BBC Commission for The Last Night of the Proms),  Foreign Tongues (for string quartet), […]

Read More

Leave a Reply

Your email address will not be published.