Powerlines in Antarctica is an ambient piece inspired by soundscape artists such as Brian Eno, Nurse with wound and Prurient. The piece is made up from everyday sounds ranging from keys and doorbells to vacuum cleaner sounds and distant ambulance sirens. The intention was to create a piece of music separate from any discernible rhythm, harmony and clear linear structure and instead placing the piece within a more three-dimensional space. The title stems from the culmination of the disparately chilling sounds; portraying a journey through an icy wasteland with an eerie but vaguely familiar drone that seems omnipresent in the modern world. As Powerlines in Antarctica is currently being re-worked into a much longer and encompassing sound sculpture as a part of larger suite of different pieces, this version acts as a kind of prototype of what is to come.
Some other pieces to explore …
Reflections is trying to create a misterioso effect, first by the long notes of the clarinet’s melody at the beginning, later on by the harmony that all the instruments create together, and finally, by the free canon between the cello and the clarinet. I hope you will feel connected to this piece and take the […]
Unicorn was written for Plus Minus Ensemble and lasts approximately five minutes. The reason for the title is that the structure reminds me of a unicorn. This is my first time composing a happy piece. I am influenced by the soundtrack of the anime Attack on Titan, but my piece is not as grand. In […]
Rubble Houses (2019), for six voices, explores the voice without pitch; focusing on creating alternative vocal sounds and exciting rhythmic patterns.Inspired by the old British tradition of Bonfire Night to remember the story of Guy Fawkes in 1605, this work seeks to create an exciting atmosphere of textural clouds of sustained sounds, juxtaposed alongside rhythmic […]